It's a grill room in the style to which I had become accustomed when I worked at the (then anachronistic) Southern Cross in the mid 1980's, but brought up to date, if that's not a contradiction in terms. Dark red timbers, red and gold wallpaper, chandeliers and a wall of wineracks and stained-glassed windows. But it's not quite right.... This is a style that requires a total commitment: the customer can't be allowed to see behind the facade (or even that there IS a facade). But the real world kept poking out: from behind the bar where the post-mix pipes had a cheeky Matrix-like effect; to the veneer of veneer; and to the stained-glass that looked like it had come from a colonial-style home in 1979.
The green salad tasted like it had been dressed with a commercial dressing. F's garlic mash was very good, generous with butter.
The food highlight for me was a smoked sausage, which was coarser than the chevapchichi, but which had the rosy inner glow of a snaggle that's been slightly cured, and a deep, smoky flavour. Everything came with a mild, fresh paprika relish.
Butchers promises much and delivers in part. When you dress up like Miss Havisham, expectations are created; great expectations in fact, and these weren't met. The food was good (and not particularly expensive) and we did have a lovely bottle of wine. But the food wasn't great, the service didn't quite meet the surrounds and the people at the next table were laughing like drunk toads mating with hyenas. Not that it's fair to hold Butchers responsible for that.
So in summary, while Butchers looks like a stately club, John Howard's green tracksuit was poking out from under Miss Havisham's wedding dress. She also sang "Happy Birthday" at the top of her voice and flirted with the camp waiting staff.
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